Dom Phipps: I think at the last count there are 63 people on the ‘Thanks page”, and we were fortunate to have contributions from everybody that we ultimately wanted to hear from. The goal of the project was to create a book that communicates the unique culture that developed in that last decade while celebrating the core community that engendered it. At this point in time, nobody has really peeked behind the curtain of the human story, and I think readers of the book will be surprised at how sophisticated, talented, and driven this young community was. Freestyle constantly evolved in the 1980s. As a kid that was caught up in it in my little corner of the world, I can remember the intensity and power of the movement. Xavier was part of the early pool-riding scene that developed at The Pipeline skate park in Upland, California, so he has a unique connection to the story too.
What was referred to as trick-riding in the late 1970s rose out of the prolific BMX Racing scene. Small communities of racers – kids who were ultimately uninspired by the competitive demands of the sport - broke away and forged a new direction for BMX. By 1980, an experimental pool-riding scene had developed. At first, the bike riders jumped the fences and carved around the cement pools at night when the skate parks were closed. But as the vertical skate scene fell into a sharp decline, the bikers began to negotiate access to some of the parks to the south of LA, in Riverside, San Diego, and Orange County. A steep curve of progression commenced and saw this growing group develop their dirt-jumping and bike-handling skills into what we commonly refer to as vert-riding. Others took it even further. In the late 70s, Bob Haro and his sister’s boyfriend, John Swanguen, became obsessed with balance tricks and rolling combinations, casting long shadows in the parking lot of their local mall in Spring Valley, San Diego, late into the evening. Then in 1980, Haro went on to form the BMX Action Trick Team with RL Osborn. The two young riders went on to make history, staging the first organized freestyle show of its kind at an ABA BMX race in Chandler, Arizona, in February of 1981.
Dom Phipps: There was a sense of ambition and pride in the early scene. Readers of this book will be reminded that Mike Dominguez was airing 8 – 10 feet out of a twelve-foot-deep concrete bowl in 1984, but they will also read about a community of riders, photographers, journalists, designers, promoters, and entrepreneurs, that constantly moved the needle of evolution. They gave us a gift, and they deserve to be collectively recognized for it.
